Lost tapes listened to; Old Guitar sings again!

Monday night I sifted through the box of tapes that were found in the old studio in Pennsylvania. Most of the tapes were from mid to later 90's sessions. We were living on Mount Washington in Pittsburgh and I was writing and recording in a small room with glass doors that overlooked the back street and a huge oak tree. It felt like I was in a tree house. I dubbed the studio "Rear View Studio" and wrote two soundtracks for live theater productions while there. I wrote the music for Carlow College's production of "As You Like It" and Pyramid Theater's Production of "El Salvador" performed at the Lester Hamburg Theater. I wrote and recorded solo material that was never released as well. I didn't label all the tapes as well as I do now so I had to listen to them all. Some were labeled very well as you can see in the photo above. As a side note the first song on the track list of the tape in the photo is "Waking of Dragons" which was re-recorded after we moved to Crafton a year or so later and appeared on the "Winter Mix" CD. The later version had strings and flutes from the newly purchased Roland GR-1. However I always thought it didn't have the same magic that the original had with just guitar, multitracked choir (me) and Moog flute. "Angel of the Night" was a track that I had completely forgotten about. I still remember the chord progression and would love to re-record this song. Total ProgRock!!!

I was armed with guitars, an amp, tons of effects and my Moog. All recorded onto a Marantz multitrack recorder. The music was good, the recording OK, but the main problem with them now is I no longer have the multitrack machine. Some of the tapes are two track masters but most are multitrack recordings. So I may have to wait till I get hold of a machine. Listening to those tapes reminded me of how I miss the simpler days of writing on the guitar, recording it then adding synth or what ever else I had laying around. With that in mind I grabbed the guitar I used all the time in the 90's; my Joe Satriani model Ibanez. The first version of the guitar has all black hardware and Fred DiMarzio pickups in BOTH the neck and bridge position. The 12 fret only says "Custom" not Joe Satriani like the new ones do. Maybe Ibanez wasn't sure how they would sell at the time. I had stopped playing this guitar live because it wasn't reliable in the string department. Actually I think I play to hard and that's why I was breaking strings. If I have a whammy bar I'm gonna use it! :-) I didn't realize how much I miss this guitar. I've been playing a Les Paul and a Guild Starfire 5 for the past 6 years so it took some time to get used to the feel. After Tuesday nights session in the studio it feels great!

I got some depressing news from my fellow Architect of the Atmosphere synth twiddler about him losing his job this morning. The economy has finally caught up to CD sales and the company couldn't sustain it any more. They released him. It's like a punch to the stomach. My wife and I have experienced it before. My heart goes out to he and his wife.