Licensing though Jingle Punks

-
I heard from Jingle Punks yesterday. I'm in! I'm really excited and look forward to working with them. I am also excited about finally having my ASCAP membership do something for me. Up until know the biggest thing that my membership provided was a card to use as a scraper for my car wind sheild when it would ice up in the winter. Just kidding ASCAP. It's not their fault. I just didn't have a reason to send stuff to get protected under a PRO before. Jingle Punks is a young company. Young but growing. I feel like I won't just be lost in the shuffle of artists.

Last week was our vacation back up North. We visited with family, drank beer, played cards and made some great salsa! Oh yes! Once you make fresh salsa you will never go back to stuff in a jar again.
OK back to work. A lot to catch up on!

Comments

  1. Tim NienhuisMay 1, 2010 at 3:17 PM

    any licenses with them since you got accepted?

    ReplyDelete
  2. AnonymousOctober 19, 2010 at 2:34 PM

    Do you make the same songs available on Music Dealers and Jingle Punks?

    Is it a problem if both websites submit the same song to the same client?

    Cool music.. I like Depeche.. =D

    ReplyDelete
  3. UnknownApril 15, 2011 at 9:56 AM

    I think both companies have roughly the same songs. Usually with clients they go to a specific catalog and pull from there the song that works the best. So the company would be going to one company OR the other. If someone used a track with out going through a licensing company, then they would dealing ASCAP directly. As a member I would receive writer royalties according to ASCAP rules.ASCAP would then receive publisher royalties as opposed to Jingle Punks or Music Dealers.

    ReplyDelete

Post a Comment

Popular posts from this blog

Weekend in the Studio

-
I had some good sessions in the studio this weekend. I didn't have much of a plan. I fired up drum machine and just jammed. One piece took shape on Saturday evening that started out as a retro-computer game sounding piece. But after writing the main melody riff on keyboard using a distorted analogue synth sound; I decided to find out what it sounded like played with an electric guitar. The piece suddenly took a turn into the realm of an anime soundtrack or something from a Power Rangers show. The riff was catchy and I ended up wanting to play it through several different amps and in different harmonies which ended up creating a huge wall of guitars. I may still go back and lay in some of the original analogue synth playing the melody. I brought in my 6 year old son to see what he thought of the song since it was the type of music and TV shows he watches. He loved it! Guess I'll need to download it to his music player. I don't like to pound away to much on one composition
Read more

Silverlight media creation

-
I spent much of today creating media to be played in a Silverlight player for the latest interactive kiosk in the Harrison Institute main gallery. This is v.2 of the kiosk. The aim of this version was to create a full screen player with a playlist that a user could navigate easily by touch. While Windows Media Player has big buttons for touch screens; the playlist is a little too tight for navigation by finger. Silverlight has some great tools built in that allow for large easy to navigate playlists. I also decided that I wanted some movment on the screen, but something that wouldn't seem out of place or distract the listener. I decided to create little movies based on slideshows using the cover art of the CD that the music was pulled from. Using the latest Windows Movie Maker software I created a neat little slidshow with fades and title FX. The slideshow was then imported into Expression Encoder 4 as many times as there were tracks. Then using the overlay feature each song video
Read more

Scoring short film "Dayplanner of the Dead"

-
Whew! Closing 2012 and opening 2013 was filled with lot's going on. In December I was contacted by Gary Streiner asking me if I was available to score a short film, "Dayplanner of the Dead", which just lost the original composer. Even though I was about to move into an new studio, I agreed to contact the director. The director sent me a rough cut of the film and some temp tracks. At first I wasn't sure I was the right composer for the job after listening to some temp tracks sent by the director; but I liked the film and I wanted to do a horror/comedy so I sent some samples of my usual stuff. After hearing my work he assured me that if I just went ahead and composed it my way it would sound great! So I accepted the gig and got to work. I wanted to stay with the flavor of the temp tracks. These tracks would remind one of a quirky haunted Appalachian  or haunting circus music. So I locked on to some key instruments like a dulcimer, snare drum, brass, piano and violin;
Read more